Dance Luminary Matthew Ball on Grueling Roles and Online Scrutiny: 'I Don't Feel Precious About My Body'

In the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's carriage is effortlessly upright, his arms muscular beneath a plain tee. During performances, dancers can appear as mighty gods, yet often offstage they are small. Not so Ball, whose height is part of his demand for heroic roles and pas de deux work. With fine features and piercing eyes, there's a hint of a brooding actor about him.

A Seamless Rise to the Top

Now 31, Ball is experiencing the peak of a career that has progressed smoothly. Raised in Liverpool, he faced minimal teasing for his early passion in ballet. Joining the esteemed training institution at 11, he graduated straight into the troupe and was promoted annually, attaining the top rank of lead dancer in 2018. He has loved tackling meaty characters, particularly the psychological angst found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring role is in a talk, in an "Evening With" series designed to offer intimate insights into a dancer's craft. He will walk the crowd through a part, demonstrating his mental workflow during execution. Yet in lighter ballets, the test is profound. "A classic ballet is one of the most demanding technically," he notes.

The Psychological Struggle and After the Show Emotions

How does he feel after a performance, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get immersed in the role, quite often I do feel self-conscious later. After an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. Yet a dance maker previously observed on a "kind of suffering in him." Does this exist? "I'm quite active in general, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Drivers and Artistic Inspirations

His determination stemmed from early setbacks. Not doing well in contests at school made him "vengeful!" This became fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

The next challenge is making his own choreography. In his view, "organic movement has value." "Challenging the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from literature, music, and art.

Intimate Dance and Private Partnership

He also favors presenting dance in smaller spaces. "It was just really thrilling," he says of a past show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has created duets with his partner, fellow principal Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They aren’t typically matched on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Image

On social media, followers can see videos from his projects and photos that highlight a athletic form. Does he care that the engagement can be a bit focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—something that can be interpreted on various levels.

Ball characterizes his younger self as "desperate for success." Did it met his expectations? "I feel very aware of how life is a different thing to the aspirations you had as a young person," he muses. He probably has about ten years of performing left. "I guess in the time to come, I want to be a bit more kind with myself."

Holly Ferguson
Holly Ferguson

Elena Voss is a passionate crafter and writer with over a decade of experience in DIY projects and home decor.